Her work is grounded in traditional Aboriginal methods of gathering and weaving yet reimagined through the use of non-traditional materials. Strips of fabric, fragments of plastic, wire, and organic fibres are layered and intertwined, creating textured surfaces that echo Country- its colours, rhythms, and histories.

Through these materials (many once used and discarded) she explores themes of displacement, resilience, and the ongoing impact of consumerism on both people and environment.

By reclaiming waste and reworking it through slow, deliberate processes, weavings becomes both an act of cultural continuation and a quiet form of environmental activism.

Main image: Janet Bromley, Depictions of childhood dolls made while roaming around the farm as children – made, played, leave behind, 2018-19, recycled materials, wire, plastic and paper bark